Blog - BirnamCD

MG ALBA Scots Trad Music Awards 2016

09/12/2016

The MG ALBA Scots Trad Music Awards 2016

What a fantastic night we all had at the Scots Trad Music Awards this year. Hosted by Dundee’s Caird Hall for the second year in a row, the event is justifiably touted as one of traditional music’s biggest highlights. This year did plenty to retain that sentiment; wonderful performances from a variety of Scotland’s homegrown talent, moving speeches from some of the most renowned voices on the scene and, of course, and great craic.

The ceremony launched with a thunderous performance by the Scott Wood Band, backed by an impressive accompaniment of guest musicians. Passers-by on the street from outside the scene could be forgiven for thinking they were overhearing a roaring rock’n’roll performance, for you’d be hard-pressed to find more energy in a performance across any genre.

As ever, the awards were hosted by Mary Ann Kennedy and Tony Kearney, who did a great job of keeping things moving along at a good pace, with one notable (but very understandable) exception. When BBC Radio Scotland’s Take The Floor claimed Trad Music in the Media, and Robbie Shepherd (who this year retired from the show) took to the stage to collect the award alongside his successor Gary Innes and the rest of the team from the show, the audience couldn’t wait to jump to their feet and offer the longest standing ovation of the night. Given how much Robbie has contributed to our traditional music scene over the years, the comperes certainly can not be held to account for the time this show of admiration went on.

With the Scott Wood Band kicking things off with such a high-octane set, one might have wondered if that would set the tone for the rest of the evening. However, the other acts that were brought out to play really demonstrated the wealth and breadth of the Scottish folk scene. Dallahan brought their far-reaching brand of music to the stage, blending traditional Scottish elements with material from across Europe. Songs of Separation, which combines the talents of many of the most respected and recognised women in Scottish and English music, delighted with their beautiful harmonies and moving arrangements. Abercraig, a collection of very talented youngsters local to the area, reminded everyone that traditional music is alive and well in the next generation. Talisk, featuring BBC Radio Scotland’s Young Traditional Musician of the Year Mohsen Amini, got the feet moving with their compelling music. The Halton Quartet injected a little jazz into the evening, the Robbie Shepherd Tribute Band brought along some fantastic dance music, and as if all that wasn’t enough, the crowd were also treated to performances by Tryst and Wilma Kennedy with Finlay Wells.

To round off this post, Birnam CD would like to reiterate not only our sincere congratulations to all of the winners and nominees, but also special congratulations to all of our clients who took home awards: Skerryvore (Live Act of the Year), Feis Roise Life Long Learning Project (Community Project of the Year), Piping Live! (Event of the Year), Ellen MacDonald (Gaelic Singer of the Year), Rachel Newton (Instrumentalist of the Year), Lori Watson (Scots Singer of the Year), Trail West (Dance Band of the Year), and Kris Drever (Composer of the Year).

Thanks to Simon and the team at Hands Up For Trad for another great evening. We look forward to seeing everyone in Paisley next year for the MG ALBA Scots Trad Music Awards 2017!

Creative Music

Christmas Songs – Copyright & Public Domain

karen

23/11/2016

Christmas Songs – Copyright & Public Domain

When it comes to Christmas Songs, (not just Christmas songs but any songs) it’s important to check whether the song is copyrighted or whether it’s in the public domain – not all Christmas songs and carols are in the public domain and therefore licenses and permissions will be needed.

Just because a Christmas song/carol/hymn was written in 1934 does not necessarily mean it is in the public domain.

A Musical Work or Sound Recording is in the Public Domain when the copyright has expired. From the date that the copyright expires it is not controlled or owned by anyone. In the UK, the songwriter’s copyright lasts for 70 years after their death (musical works) and the recording artist’s copyright lasts for 50 years after their death. (prsformusic.com)

Songs in the public domain can be used without permission or credit to the original author however, this does not apply to copyrighted arrangements of songs in the public domain – songs that are copyrighted will require permission/licensing.

Christmas songs which are now in the public domain include:

Jingle Bells’ (James Pierpoint, 1857)

Good King Wenceslas (John M Neale, Thomas Helmore, 1853)

Holy & The Ivy (Henry R Brawley, John Stainer, 1871).

Hark! The Herald Angels Sing (G Whitefield, William H Cummings, 1840)

Christmas songs which are not in the public domain include:

Here Comes Santa Claus (Gene Autry, Oakley Halderman 1947)

White Christmas (Irving Berlin, 1942) – According to Wikipedia “White Christmas” is one of the most-recorded Christmas songs; there have been more than 500 recorded versions of the song, in several different languages.

Santa Claus Is Coming to Town (John F Coots, Haven Gillespie 1934). Recorded by many artists including Perry Como (in 1951), Michael Jackson (in 1970), Rod Stewart (2012) and Kylie Minogue (2015). In 2015, the Court of Appeals ruled that rights to “Santa Claus is Coming to Town,” the all-time most performed holiday song, will revert to the heirs of J. Fred Coots. Coots, along with fellow songwriter Haven Gillespie, wrote the song in 1934 and made a deal with Leo Feist, who ran a publishing company that was eventually acquired by EMI.

For more information and to check copyright/public domain information please visit PRS for Music and www.pdinfo.com

Creative Live Music Music

Nominations Shortlist – Scots Trad Music Awards

karen

10/11/2016

Shortlist Nominations.

Shortlist nominations have been released for the 2016 MG ALBA Scots Trad Music Awards. The 16 awards cover a wide range of categories and recognise the best Scottish trad talent across Scotland. We sponsor the ‘Album of the Year’ and this years’ 10 nominations are all hugely talented musicians – we wish each of them good luck!

Public voting is open until Friday November 18^th, place your vote HERE.

Winners will be announced at the Awards Ceremony on Saturday 3^rd December, at the Caird Hall Dundee. The full list of nominees:

Album of the Year

Abyss by Talisk

Astar by Breabach

Brighter Still by Adam Holmes and The Embers

Hearts Broken, Heads Turned by Jarlath Henderson

Hello, Goodbye by John McCusker

Matter of Time by Dallahan

Songs of Separation by Songs of Separation

SYMBIOSIS by Ross Ainslie and Ali Hutton

The Hebridean Sessions by Daimh

The River by Hamish Napier

Composer of the Year – Sponsored by PRS for Music

Graham MacKenzie

Hamish Napier

Kris Drever

Freeland Barbour

Mairearad Green

Joe Armstrong

Community Project of the Year – Sponsored by the Gordon Duncan Memorial Trust

Merlin Academy of Traditional Music

Feis Rois Life Long Learning Project

Fuaran – Fèisean nan Gàidheal

Friends of Wighton

Event of the Year – Sponsored by VisitScotland

Piping Live

Orkney Folk Festival

Pulse

Hamish Feature Film

Gaelic Singer of the Year – Sponsored by Macmeanmna

Ellen MacDonald

Calum Ross

Joy Dunlop

Kaela Rowan

Instrumentalist of the Year – Sponsored by the Royal Scottish Country Dance Society

Tony McManus

Innes White

Mohsen Amini

Rachel Newton

Craig Paton

Live Act of the Year – Sponsored by Greentrax Recordings

Blazin’ Fiddles

Elephant Sessions

Mànran

Niteworks

Skerryvore

Treacherous Orchestra

Citty Finlayson Scots Singer of the Year – Sponsored by the Traditional Music & Song Association of Scotland

Simon Gall

Lori Watson

Hector Riddell

Shona Donaldson

Up and Coming Artist of the Year – Sponsored by the Royal Conservatoire of Scotland

Dosca

Top Floor Taivers

Ryan Young

Tannara

Club of the Year – Sponsored by Traditional Arts and Culture Scotland

Stonehaven Folk Club

Dundee Acoustic Music Club

Rolling Hills Folk Club

Mauchlin Accordion and Fiddle Club

Scottish Dance Band of the Year – Sponsored by the National Association of Accordion and Fiddle Clubs

Trail West

Sixties Bairns

Peter Wood Shetland Dance Band

Lomond Ceilidh Band

Folk Band of the Year – Sponsored by Threads of Sound

Rura

Rant

Barluath

Breabach

Scottish Pipe Band of the Year – Sponsored by The Glenturret Single Malt Whisky

North Lanarkshire Schools Pipe Band

Police Scotland Fife Pipe Band

Johnstone Pipe Band

Stirling and District Schools Pipe Band

Trad Music in the Media – Sponsored by Skippinish

Scots Radio Podcast

Take the floor

fRoots

Fresh Folk

Music Tutor of the Year – Sponsored by Creative Scotland Youth Music Initiative

Jim Hunter

Simon Chadwick

Daniel Thorpe

Mhairi Marwick

Lynsey Tait

Rachel Hair

Venue of the Year – Sponsored by the Musicians’ Union

The Cat Strand

The Reel, Orkney

The Glad Café

Drouthy Cobbler, Elgin

To find out more about the Scots Trad Music Awards visit : scotstradmusicawards

To book tickets for the Award Ceremony please visit: www.dundeebox.co.uk

Live Music Music

Scots Trad Music Awards

karen

07/10/2016

MG ALBA Scots Trad Music Awards

The MG ALBA Scots Trad Music Awards is an annual event which takes place in December. The 2016 award ceremony will be held in the Caird Hall, Dundee on 3rd December. The awards highlight Scotland’s wealth of traditional music in all its forms and aims to create a high profile opportunity to bring the music and music industry into the spotlight of media and public attention.

There are 16 categories of awards, including Live Act of the Year, Album of the Year, Composer of the Year, Instrumentalist of the Year and Gaelic Singer of the Year. Winners of the awards will be unveiled at the awards ceremony in December.

Public voting is open until Friday 14^th October – To nominate your favourite acts and organisations VOTE HERE

To find out more about the Scots Trad Music Awards visit : scotstradmusicawards

To book tickets for the Award Ceremony please visit: www.dundeebox.co.uk

Creative Design Music

CD Printing – using a white base

karen

19/08/2016

CD Printing – using a white base

A CD disc has 3 different areas and the surface of each area is different. There is the main playing area, made from polycarbonate plastic which is coated in silver on the non-playing side, an ID ring – which is a shiny metallic silver colour printed onto the inner plastic ring – and a clear plastic hub. The recordable surface and ID ring are not constant silvers, and if you are not using a white base then the different areas can significantly affect any finished design.

A white base is used to provide a neutral base layer and covers the ID ring and inner plastic hub. It basically acts like white paper, providing an even surface for more accurate colour printing. When printing CMYK onto CDs we would recommend that you specify a white base as printing CMYK onto a disc without a white base results in a washed out finish.

If you would like your disc design to include some ‘silver disc shine through’ either the basic silver shine through or some part of the design/colours printed direct onto the silver disc then we would suggest you use a custom white base. You will need to supply 2 different artwork files – one with your full design which will be printed onto a white base, and another showing just the area you would like knocked out. Remember, if you are undertaking this then it is important that the 2 separate artwork files are accurate, if there are any spaces or overlaps between the white base design and the second knocked out design then the end result will mean that the finished disc design will have outlines or halos, the colours will be different if any overlap is present and the design will not look sharp – so it can be a bit tricky.

We would generally recommend using a white base for disc printing. Give us a call if you need any more information – we’re always happy to help.

Music

ISRC

calum

12/07/2016

International Standard Recording Code

ISRC codes are only necessary for the final version of the recording – if the recording is purely for personal use, a rough mix or a rehearsal recording then you won’t need an ISRC code at that stage.

ISRC which stands for International Standard Recording Codes is an international system which allocates a unique code which is encoded into any music recording – unique ISRCs identify any music recordings for payment.

ISRCs consist of 4 parts:
·         Country Code: 2 letters which represent the country in which the registrant is based, for example, UK for United Kingdom.
·         Registrant Code: 2 alpha-numerical digits, which, when used with the Country Code is unique to the registrant.
·         Year of Reference: the last 2 digits of the year in which an ISRC code is allocated.
·         Designation Code: 5 digits which are unique to each track.

ISRCs for CDs – the ISRCs are encoded during the disc mastering process. ISRCs must be encoded for each track in the pre-master stage. Remember, ISRCs are important as they enable payments to be made for any music recordings or music videos.
The ISRC code for any music recording/music video stays the same no matter how many albums the track is on. A new ISRC is only required if there are any changes to the original recording for example, the track is re-mixed or the track length is change.
ISRC codes and Bar Codes are different – ISRC codes identifies individual tracks and the Bar Code or Universal Product Code (UPC) identifies the complete album.
To find out more information please visit: isrc.ifpi.org

We can supply both ISRCs and Bar codes so give us a call if you need these.

Creative Music

Audio mastering for replication

calum

30/05/2016

Audio Mastering for Replication

In the recording process, audio mastering is the stage after mixing. The purpose of mastering is to improve the audio quality of your music and to ensure that it will sound its best whatever it is played on – a state of the art sound system, portable radio, iPod, in-car stereo or your computer. Put simply, it will make your recording sound better. To achieve this, the tracks are processed using a series of audio enhancement tools and effects including tonal adjustments, limiting, compression / expansion, equalisation, noise reduction, harmonic excitement and signal restoration. The relative volume between tracks is levelled out and any extraneous noises (pops, clicks and bumps) are removed. The tracks are put into the correct sequence, with fade-ins, fade-outs or cross-fades applied and the spacings between tracks set. Additional information such as CD text (with the artist name, album and track titles), ISRCs (International Standard Recording Codes) and the product barcode can be added.

A production master is created – it’s important that you always listen to and approve the final master. The mastering engineer should also supply a PQ sheet, which is used as a reference by the pre-mastering engineer when preparing the glass master.

Production masters can be supplied electronically as DDP filesets or physically as PQ encoded (Red Book) Audio discs.

DDP FILESETS – DDP is short for Disc Description Protocol – producing audio masters as DDP filesets is now widely recognised as standard practice across the industry. When producing a DDP it’s important that an MD5 checksum is created for each file – an MD5 checksum is like an electronic fingerprint. Once the DDP has been downloaded at the pressing plant a further set of MD5 checksums is created and compared to the original sums. If both sets match, then the receiver can be certain that what has been downloaded is exactly what was uploaded, that there has been no corruption in transmission and the files can safely be used for production of the CDs. It’s also important that all files (including the MD5 checksums list) are compressed and saved into a single zipped folder which should be named with the Product Catalogue Number and / or the Artist Name and Project Title.

RED BOOK AUDIO DISCS – Ask your engineer to include a PQ sheet or, at the very least, a track list with titles and timings. If you are sending red book audio discs always keep a back up copy – do NOT send us your only copy.
Masters for Duplication – for short run duplication (under 500 CDs), we can also accept WAVs. Please note, we do not accept WAVs for CD replication (500 CDs upwards).

CD Replication and Duplication   – The difference between compact disc (CD) replication and duplication is that replication is a professional process that creates a CD by moulding the disc to be an exact copy of the original master. Data cannot be added or changed.  Duplication refers to burning data to a disc – the master is copied directly onto recordable discs, as is done in home computing. Short-run duplication is ideal for small runs but if you are intending to sell CDs or use them for promotional purposes we would suggest that you go for CD Replication which is the industry standard.

With replication (pressing) the digital data from your master is processed to create a glass master. Glass mastering is undertaken in an exceptionally clean environment as even very small dust or dirt particles can affect the finished quality of a CD glass master. A metal stamper is made from the glass master and this is then used to press the finished copies. Each disc, which is a clone of the master, is then lacquer coated for protection. The discs are printed using screen or litho print methods, depending on the nature of the design – screen printing is generally more suitable for designs with solid blocks of colour, while litho printing achieves superb results for full colour picture discs. For replication orders, the packaging is always produced using offset litho printing, the professional standard.

Music

CD Packaging explained

karen

27/04/2016

A wide range of CD packaging can seem confusing – so much choice! We thought it would be useful to briefly explain the different types of packaging.

Please have a quick look at the information below or visit CD Packaging & Quote to view the wide range of CD packaging options.

Jewel Case – A jewel case is, for many, considered to be a standard CD package. It has a hard clear plastic body with a plastic tray card to hold the CD. Jewel cases can hold a single insert printed both sides or booklets that can range from anything from 4 to 32 pages. The inlay, which sits in the rear of the case (underneath the plastic tray) can be printed on one side, or both sides if you would like a design / image to show through a clear tray. The outer side of the inlay (which is the back of the jewel case) usually includes details of the track titles and timings, the barcode and copyright details.

Digipak – A digipak is mainly a card package, although it does incorporate a plastic CD tray. The most common digipak has 4 panels with the CD tray attached to the inside right panel. Most of our clients prefer a clear tray as this then allows for the use of an image / design underneath the tray. Booklets (usually from 4 – 32 pages, although larger booklets are possible) can be included and can sit either in a sleeve or in a slot in the inside left page. Standard digipaks can be supplied with 4, 6 or 8 panels, making it possible to hold up 4 CDs plus booklets.

Digfiles and digisleeves are environmentally-friendly plastic-free packaging options.

Digifiles – The most common digifile we are asked to supply has 4 panels with a slit on the inside right panel for the CD to slot into leaving half of the disc visible. If you have a lot of information to include and require a separate booklet, the inside left page can be made to include a slit to house a booklet (4 -32 pages or more if needed), or a second disc slit for double-disc packages. Most digifiles have 4, 6 or 8 panels, can be supplied with or without booklets, and can hold anything from 1 to 4 discs.

Digisleeves – A digisleeve is a bit like a scaled-down version of a double vinyl sleeve where the CD slots into a sleeve, usually from the outer edge* of the right hand side – we consider this to be our standard digisleeve. A 4 panel digisleeve can include a second sleeve on the left hand panel where a booklet (usually 4 – 32 pages), or a second disc, can slot in from the outer edge* on the left hand side. Like digipaks and digifiles, digisleeves can be produced as a 4, 6 or 8 panel version, with or without booklets, and can hold up to 4 discs.
*there is also a version of the digisleeve where the sleeve openings are at either side of the inner spine rather than at the outer edges.

The digipak, digifile and digisleeve are all very popular packaging options these days. Choosing the right packaging for your project will depend on how
much information and images you would like to include. With the digipak and digifile, one of the panels needs to be used for either the plastic tray (digipak) or a slit (digifile) to hold a CD. We find that the digisleeve is increasingly popular because it allows for information /images to be printed on all 4, 6 or 8 panels.

A very basic, but extremely popular, packaging option is the Card Wallet, a single wallet printed front and back with an opening either at the side or the top where a disc can slip in and out. These are often used for EPs, demos and for CDs distributed along with newspapers or magazines.

Have a look at our CD packaging page to view a small sample of the available options. Please give us a call (01350 727158) to discuss anything, we’re always happy to help.

Live Music Music Posts

Record Store Day

karen

07/04/2016

Record Store Day 16.4.16

Record Store Day was started in 2007 when over 700 independent stores in the USA came together to celebrate their own unique culture. The independent music sector in the UK followed the USA trend and this year will be the ninth year of events. Record Stores across the country organise events including performances, meet and greet with artists, DJ’s and many other one of unique events.

Celebrating the UK’s independent record shops – the independent record stores are not tied to any big record labels and the day provides an opportunity for them to promote themselves and the huge variety of music which they cover. Record stores across the UK participate – shops in Glasgow, Renfrewshire, Stirling, Kilwinning, Ayr, Edinburgh and Perth are organising events, to find out what’s happening locally in your area visit Record Store Day

Record Store Day is recognised as contributing to the Vinyl revival. Many thought that Vinyl (and CD) sales would be affected by the increasing move to digital but what we are finding is that digital music in many cases supports and encourages Vinyl (and CD) sales. People are listening to music online and choosing to purchase a physical copy, Vinyl is seen by many as a collectable art….so, the vinyl revival continues. According to the 2015 BPI Music Marketing Report, 2.1 million LPs were purchased in 2015, representing a 64% increase on previous years and a 21 year high.

Uncategorized

BIRNAM CD TURNS 30 YEARS OLD!

karen

11/02/2016

BIRNAM CD TURNS 30 YEARS OLD!

We ‘re finding it a bit hard to believe, but 2016 really is our 30^th anniversary year.*

In the spare room of a farm cottage near Galashiels in the Scottish Borders, “Birnam Tapes” made a very humble start in 1986, armed with a reel-to-reel tape recorder + ten cassette decks. Our first job was to produce 250 cassette albums for the Scottish folk trio “Blackeyed Biddy”.

The independent music scene has grown substantially since then and we’ve grown with it. After a couple of name changes (Birnam Cassette Duplication, Birnam CD), we are now “Birnam CD Limited” and, to kick-start 2016, we have already made and delivered a total of 16,000 CDs just for clients launching new albums at January’s Celtic Connections Festival in Glasgow.

And we have a great list of top-notch projects lined up for the months to come.

So, as we look forward to what is a special year for us, we would like to thank all of our clients, both past and present, for having entrusted us with their creativity, both musical and visual.

We’ll be looking back as well as forward in the coming year and, from time to time, posting some images from our early days right up to the present.

* To put this into a bit of context, the year we established the business was the same year that:

The UK & France announced plans to build a Channel Tunnel;

Argentina, helped by Maradonna’s “Hand of God” goal, went on to win the World Cup in Mexico;

Desmond Tutu became South Africa’s first black Anglican Church bishop;

The M25 was officially opened

and

Matt Groening created The Simpsons.

Showcase Scotland 2024: Wide Days event opportunity

MG ALBA Scots Trad Music Awards

CD Printing – using a white base

International Standard Recording Code

Audio Mastering for Replication

BIRNAM CD TURNS 30 YEARS OLD!